Please use this identifier to cite or link to this item: http://hdl.handle.net/11527/17512
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dc.contributor.advisorEmiralioğlu, Afşintr_TR
dc.contributor.authorCopçuoğlu, Mustafatr_TR
dc.date1993tr_TR
dc.date.accessioned2019-01-31T11:58:24Z-
dc.date.available2019-01-31T11:58:24Z-
dc.date.issued1993tr_TR
dc.identifier.urihttp://hdl.handle.net/11527/17512-
dc.descriptionTez (Yüksek Lisans) -- İstanbul Teknik Üniversitesi, Sosyal Bilimler Enstitüsü, 1993tr_TR
dc.descriptionThesis (M.A.) -- İstanbul Technical University, Institute of Social Sciences, 1993en_US
dc.description.abstractThe research has been carried out in order to put forward how "bağlama" has been produced so for and how an approach that integrates the scientific principles- in the production af "bağlama" should be. For this pur pose, a guestionnair has given out to 10 "bağlama" pro ducers in Istanbul» And they were observed and intervi ewed, Besides, with a literature review, how "bağlama" has been produced up to now was described. As a result of certain experiments and implementations carried out in the Instrument Building of Department Turkish Music State of Conservatoire Î.T.Ü. ît has been put forth how the sound board, the body, and the sound bridge of "bağ lama" should be produced with a modern scientific appro ach. It has been concluded that real success of a "bağ lama" producer today is dependend upon the anatomic structure of the wood used, the form and the size of the instrument, and his adjustment of the thickness of the body and the sound board. Furthermore all of these things have to be done with high guality and with an aesthetic approach. The "bağlamas", which do not have spesific sys tem, are completely different from one an other in terms of shape and size. These differences come problems in performing, interpreting and teaching and learning has to play it. It is thought that there is an elose relation ship between the solution of the problems about the pro duction of "bağlama" and the decreasing of the problems and the solution of the abovementioned problems.en_US
dc.languageturtr_TR
dc.publisherSosyal Bilimler Enstitüsütr_TR
dc.publisherInstitute of Social Sciencesen_US
dc.rightsKurumsal arşive yüklenen tüm eserler telif hakkı ile korunmaktadır. Bunlar, bu kaynak üzerinden herhangi bir amaçla görüntülenebilir, ancak yazılı izin alınmadan herhangi bir biçimde yeniden oluşturulması veya dağıtılması yasaklanmıştır.tr_TR
dc.rightsAll works uploaded to the institutional repository are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.en_US
dc.subjectMüziktr_TR
dc.subjectBağlamatr_TR
dc.subjectMüzik aletleritr_TR
dc.subjectTürk çalgılarıtr_TR
dc.subjectMusicen_US
dc.subjectBağlamaen_US
dc.subjectMusical instrumentsen_US
dc.subjectTurkish musical instrumentsen_US
dc.titleİstanbul'da profesyonel bağlama yapımcıları ve teknik özelliklertr_TR
dc.typeThesisen_US
dc.typeTeztr_TR
dc.contributor.authorID26813tr_TR
dc.contributor.departmentÇalgı-Sestr_TR
dc.contributor.departmentPerformance & Voiceen_US
dc.description.degreeYüksek Lisanstr_TR
dc.description.degreeM.A.en_US
Appears in Collections:Çalgı-Ses(Tezli/Tezsiz) Lisansüstü Programı - Yüksek Lisans

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